Drama/ 40 characters: 21 Nonbinary, 11 Female, 8 Male, 8 actors minumum, doubling/tripling possible/ One Act

Synopsis: Charles Dickens himself takes us through this new adaptation of one of the greatest Christmas stories ever told. Lee Wilson had yet to find a version of Dickens’ masterpiece that satisfied him as a director, so he was inspired to create one. He has endeavoured to create a version that is true to Dickens’ original story and also catered towards non-traditional proscenium theatre spaces (although this version works beautifully on those as well).

About the Playwright: Lee is an Assistant Professor in Acting at The University of Windsor, School of Dramatic Art, Windsor, Ontario, Canada. Mr. Wilson holds Canadian, British and Irish citizenship.

In 2019, his production of A Fear and Loathing Actor in Dublin by Mark McCauley premiered at the Edinburgh Fringe Festival and Theatre@36 in Dublin, Ireland. While living in Ireland, he directed the world premieres of Running with Dinosaurs by Nadine Flynn (The New Theatre); The Eurydice Project by Joanna Crawley (The Project Arts Centre Main Space); Fray by Margaret Perry and Pork by Nadine Flynn (Smock Alley); and The Sea Brothers by Padraig Colum/Joanna Crawley (O’Reilly Theatre/The Lir). In addition, his critically acclaimed production of East of Berlin by Hannah Moscovitch played to sold out houses at The Project Arts Centre in 2014/15. Lee was the Associate Director to Joe Dowling on Arthur Miller’s A View from the Bridge at The Gate Theatre, Dublin for the Dublin Theatre Festival in 2015.

His Canadian work includes being the founding artistic director of Resurgence Theatre Company in Newmarket, Ontario, Canada where he directed critically acclaimed productions of Hamlet, Twelfth Night and Romeo and Juliet. In 2013, he was nominated by his peers for the Christopher Plummer Fellowship Award for his outstanding contribution to the classics and Shakespeare performance in Canada. This award is administered by the Globe Theatre in England (Globe Centre in Canada) and recognized Lee as one of the most exciting young directors of Shakespeare in his native home of Canada.

His Canadian work includes being one of a handful of directors who participated in the Inaugural Michael Langham Workshop for Classical Directors at the Stratford Festival in Stratford, Ontario, Canada. As part of this program, he was the resident director to Des McAnuff on The Who’s Tommy and The Tempest film and stage production starring Christopher Plummer. Other credits at Stratford include assistant director to Antoni Cimolino on As You Like It and to Leon Rubin on Measure for Measure. He was the apprentice artistic director/artistic associate at the Grand Theatre in London, Ontario, Canada (2008/2009 season). In 2008, Lee was invited to The Old Vic in London, England to participate in a directing and writing workshop with the Peter Hall Company. He was an Intern Director at the Shaw Festival during the 2005/2006 season in Niagara-on-the-Lake, Ontario, Canada; and the Resident Director in the Birmingham Conservatory for Classical Theatre Training at the Stratford Shakespeare Festival in 2004/2005. In 2003/2004, he was awarded the Urjo Kareda Residency Grant to study directing/artistic direction with Richard Rose at the Tarragon Theatre in Toronto, Canada. Lee started off his professional career as a member of the Inaugural Soulpepper Training Company studying acting, design, and directing with his mentor Robin Phillips.

Lee is an associate member of ADA (Association of Drama Adjudicators) in Ireland and holds an MFA in Directing from The Lir, Irelands National Academy of Dramatic Art, Trinity College, Dublin; and a BFA in Acting from Ryerson Theatre School, Toronto, Canada.

Comedy-Drama/ 11 Characters, 4 men, 5 women, 2 Either-Or, multiple casting possible/ Full-Length, 70 mins.

Synopsis: As a pianist plays in a corner of the stage, we meet Alex, a 10-year old piano prodigy who has been diagnosed with ADHD after getting into trouble at school. His parents are given an ultimatum: Alex must take Ritalin or face expulsion. As they struggle with the choice, Alex’s grandparents object. Russian immigrants, they have vivid memories of the 2nd World War, when Hitler gave the drug to his troops. They don’t want to see Alex turned into “an obedient little soldier.”

Meanwhile, Alex practices for his momentous upcoming piano recital with his inspiring teacher, Mr. Hoffman. “When I wake up I hear music,” he tells Mr. Hoffman, “when I do anything I hear music.” As he and his family continue to struggle with the effects of his ADHD, his grandfather makes a decision. Appearing to Alex dressed as the tooth fairy, he delivers an impassioned plea for his grandson never to believe “there is something ‘wrong’ with you,” and to remain true to his talent. In this tender and powerful play, the pianist playing in the corner of the stage — Alex as an adult — suggests that he listened to his grandfather.

About the Playwright: Nicholas Bompart is an actor, director, writer, and musician from Forest Hills, New York. He began acting at the age of five and has continued in the theater up until the present. He has written and acted in more than 15 short films, which have been screened at multiple national and international film festivals and won extensive laurels, including awards for Best Horror Film, Best Direction, Best Screenplay, and Best Actor. In addition to writing and directing many plays, he has starred in numerous off-Broadway productions. His plays have been selected for the Rogue Theater Festival, CHAIN Theater Festival, Strawberry Theater Festival, and others. He has received favorable media reviews and been referred to as “a new up-and-coming artist” and “someone to watch” for upcoming work. Nicholas earned a B.A. in Theater Arts from Pace University. He also sings opera and has performed at Carnegie Hall.