Confetti by Broken Gopher Ink

Comedy-Drama/ 7 characters, 5 Men, 2 Women/ Full Length, 35 scenes

Synopsis: Gary lives with his middle-aged mother, Geg, and is “in a relationship” with Lindahl, but his real love is his drums. Maybe you’d prefer making loud sounds to growing-up, too, if your Mother was having sex with your cousin (her nephew, that’s right) and your girlfriend wants to bring her “emotional heart into harmonious balance.”

But in 35 punchy, sardonic scenes punctuated with original songs, this smart and unsentimental comedy manages to suggest that even someone as messed-up as Gary can manage to achieve, if not harmonious balance, a degree less mess-uppedness.

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Contact information:
Amateur and professional rights:
Broken Gopher Ink,
1521 9th Ave,
Greeley, Colorado,
USA, 80631.
Ph.: 970-356-4893
Email: brokengopher@hotmail.com
Playwrights Website: www.brokengopher.com

About the Playwright:Broken Gopher Ink are a pair of humble westerners whose delightfully crude and vicious plays have been produced all over the USA and small parts of Europe, but especially in New York City off-Broadway theatres, where Broken Gopher Ink acquired their bogus literary credibility. No one is sure who they are or what they want, but their deliciously low cholesterol mega-monologue play, My Heart and the Real World, has received eight separate off-Broadway productions (including two UK shows) thus cementing Broken Gopher Ink‘s reputation as cult failures.

Confetti was premiered at The American Theatre of Actors, in New York City, October, 1995.

Also by Broken Gopher Ink:
My Heart and the Real World

 

 

 

 

 

Cycle by Joanna Alexandra Norland

Cycle at Maltings Arts Theatre, St. Albens, Herts, England

Drama/ 4 Characters, 1 Man, 3 Women/ One Act, 15 Minutes

Synopsis:
Stuart and Veronica are adamant that their mid-terrace neighbour, Julia, must not wheel her bike across their backyard to access the road. Julia appears sympathetic to their concerns — but the couple soon discovers that, when it comes to their pole-dancing neighbour, things are rarely as they appear. Could Julia possibly be plotting an end-terrace takeover?

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Contact information: Amateur and professional rights:
Joanna Alexandra Norland
3 Back Lane
Godden Green, Kent
UK, TN15 OJH
Tel: 011 44 (0) 1732 761 864
E-mail: joanna.norland@gmail.com

About the Playwright: Joanna Alexandra Norland’s one-act play Mothers Have Nine Livespremiered in the 1992 Young Playwrights Festival at Playwrights Horizons in new York. The script has since received productions at various London venues including the Bridewell Theatre, in 2002, and the Tabard Theatre, in 2007. Joanna’s work has also been showcased in London at Soho Theatre, Hampstead Theatre, and the Theatre Museum. Her short play, Lydia Reconsiders, which champions Lydia Bennet, the black sheep of Pride and Prejudice, was selected as a finalist in the 2004 National Ten-Minute Play Contest sponsored by the Actors Theatre of Louisville.Her first full-length play, Lizzy, Darcy and Jane (originally entitled Jane Austen Makes a Match) premiered at the Bath Jane Austen Festival in 2006, and was produced by the C Company at the Tabard Theatre, London in 2008. It is published on ProPlay and by Samuel French Ltd.Joanna has a B.A. from Brown University, Rhode Island, an M.Phil. from King’s College, Cambridge, and a J.D. from Yale Law School. She lives in Kent, England.

Cycle was first produced at the Maltings Arts Theatre, St. Albens, Herts, England, in 2012 (Director: Paula Chitty, Irrational Theatre)

 

Delphi or Bust — Libretto by Michael Colby, Music by Gerald Jay Markoe

Delphi or Bust

Musical Comedy/ 8 Characters, 4 Women, 4 Men/ Full Length, Two Acts

Synopsis:
A musical satire of Greek mythology and epic adventure, written in the style of Greek allegory, except that most of its characters are original inventions.

Taking place in Ancient Greece, Delphi or Bust revolves around Candora — a young prophetess whose truthfulness gets on everyone’s nerves. She ends up competing with a pair of lovely and loony aspiring seers — Zircony and Nebula — to become the new Oracle at Delphi. Along the way, she is romanced by both a narcissist (Asphodel) and a dashing Cyclops (Cy), and almost murdered by Hernia, the Greek Goddess of Inner Disorder.

The first act of Delphi or Bust may be read by clicking the Read It Now button. For a complete reading copy, please see the contact information on this page.

“A DELICIOUS MUSICAL ROMP. Colby’s witty and pun-filled books and lyrics are in the style of Ira Gershwin and Cole Porter. All members of the cast have show-stopping numbers.” – Victor Gluck, Backstage

“VILLAGE VOICE THEATRE CHOICE: A witty spoof of Greek myths, invoking the incisive anarchy of Aristophanes and the Marx Brothers.” – Laurie Stone, Village Voice

“IDEAL ENTERTAINMENT FOR THE WHOLE FAMILY. A charming musical celebrating Greek mythology and the very act of story-telling, performed by an appealing cast. Delightful fun.” – Martin Denton, nytheatre.com

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Contact information:
Amateur and professional rights:
Steele Spring Theatrical Licensing
3845 Cazador St.
Los Angeles, CA 90065
(323) 739-0413 / fax (818) 232-9158
http://www.steelespring.com

About the playwright: Michael Colby is the librettist/lyricist of such musicals as Charlotte Sweet (Drama Desk Award nomination), Tales of Tinseltown (Coconut Grove Playhouse), North Atlantic (Show Business Award), Mrs. McThing (Goodspeed), and Ludlow Ladd (New American Theatre). He was chief writer for the Drama Desk Award-winning New Amsterdam Theatre Company, and has written special material for numerous celebrities and Theatre by the Blind. He is a member of the BMI and The Dramatists Guild.

About the composer: Gerald Jay Markoe studied at the Manhattan School of Music and the Juilliard School, receiving Master and Bachelor of Music Degrees. His musicals include Charlotte Sweet (Drama Desk nomination), Delphi or Bust, Happy Haunting, and Ludlow Ladd. In addition to his theatre scores, he is the widely acclaimed composer of numerous CD’s which have topped the New Age best-seller charts. These include Music From the Pleiades, Music of the Angels, Zen Meditations and Celestial Mozart Volumes I and II.

Delphi or Bust was first produced by AMAS Musical Theatre, NYC in December, 1998.

Desperate Writers by Joshua Grenrock and Catherine Schreiber

Desperate WritersDesperate Writers
Union Square Theatre, NYC, 2011
Photo: Carol Rosegg

Comedy/ 23 characters, can be played by 5 Men, 5 Women/ One Act, 80 minutes

Synopsis: A couple of desperate writers, with the baby clock ticking and their home about to be sold out from under them, are driven to desperate measures to get their script read, bought and made in this hilarious, fast-paced, screwball comedy, that pokes fun at the crazy film biz. An 80-minute laugh-out-loud riot.

“Hysterical comedy! Clever! Witty! . . . A great script with sharp-fire dialogue . . . a definite must see again and again!”
– Entertainment Today

“A delightfully scathing send up!”
– LA Times

“Situation comedy at its best!”
– Socalonline

“It’s a GO! This demented farce should be catnip for those who love Hollywood in-jokes . . .” – LA Weekly

CRITIC’S PICK! “It is a wild, hilarious ride, side-splitting screwball comedy . . . . Not to be missed and our Critic’s Pick!”
– Kaleidoscope Radio

Desperate Writers

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Contact information: Amateur and professional rights:
Catherine Schreiber Productions
1067 Fifth Avenue, Apt. 5
New York, New York 10128
Ph.: (212) 828-6867
catherine@cschreiberproductions.com
http://www.catherineschreiberproductions.com
http://www.desperatewriters.com 

 

Desperate Writers

 

 

About the Playwright: A Tony-winning Producer for Clybourne Park, Catherine Schreiber has been writing many years by herself and with her partner, Joshua Grenrock. On her own, she has written many screenplays and television treatments which were optioned by Kings Road, Rastar, Propaganda Films and with Thom Mount, among others. She has written several “Divorce Courts” and co-created a mini-series on Stalin which was developed at CBS. As a producer, Catherine has been nominated for four Tonys, won the Evening Standard Award and Critics’ Circle Award as the Lead Producer for The Scottsboro Boys in London which was nominated for seven Oliviers. She is a producer currently on Fiddler on the Roof as well as China Doll with Al Pacino. Past shows include Peter and the Starcatcher, The Scottsboro Boys, Stick Fly, Next Fall, and The Anarchist on Broadway, The King’s Speech in London, and Boy from Oz in Peru.

Catherine and her partner, Joshua Grenrock, have completed over nine feature scripts and many TV treatments. Their scripts have been optioned/developed by Ian Sanders, Disney, David Ladd, Thom Mount, Rastar, Avenue Pictures, and Kate Hudson’s Cosmic Entertainment among others. They had a series optioned with Steve Cannell which was put into development at CBS.Finalists in the Chesterfield Writer’s Competition for DNA Dad and Hoppily Ever After, two family movies. Semi finalists in the 2007 American Screenwriters’ Association Film Competition and second round finalists in the 2007 Slamdance Writing Competition for Desperate Writers.

Desperate Writers was first produced at the Edgemar Theatre, Santa Monica in 2007 and 2008, and Off-Broadway at the Union Square Theatre, NYC, in 2011.

Divorce Sale by Linda Stockham

Comedy/ 10 Characters, 7 Women, 3 Men / Full Length, 80 minutes

Synopsis: As a soon-to-be divorcee holds a garage sale, her neighbors gather to help. In the process, their own marriages get the comic once-over. Bernice’s suspicions about her spouse’s faithfulness are driving him batty; Ozzie and Kay seem to have the perfect union — but their friends have yet to learn the story behind it; and Wilma is convinced her late husband has come back as a plant. Throw in a tell-it-like-it-is medium and a raucous seance, and you have a hilarious and telling look at the flip-side of marital bliss.

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Contact information: Amateur and professional rights:
Linda Juanita Stockham
linda.stockham@yahoo.com
Ph. (U.S.): 951-388-7528

About the Playwright: Linda Juanita Stockham is a cultural anthropologist/playwright. She received a B.A. in Anthropology from California State College San Bernardino and her Interdisciplinary M.A. in Anthropological Studies from California State University San Bernardino. Her plays have been produced in New York, Los Angeles, and throughout the United States, as well as internationally. Now retired, she lives in California.

Divorce Sale was first produced by the Manhattan Players, New York City in June, 1993.

Don’t Touch Me With Your Right Hand by Sean Slater

Comedy/ 4 Men/ Short play

Synopsis: Two applicants for the same job meet in a waiting room. One has a very ingenious, if somewhat disgusting, plan to make sure he’s hired.

 

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Contact information:
Amateur and professional rights:
Sean G. Slater
240 W. 102nd St., Apt. #65
New York, NY,
USA 10025
E-mail: seangslater@gmail.com
Playwright’s website: sgspresents.org

About the Playwright:: Sean Slater is a theatre artist, filmmaker and educator living in New York City. His theatre work, including The Business Lunch, Man+Woman=Play and Algerians have been showcased around the world, most notably at the Actors Theatre Workshop, San Diego’s Old Globe Theatre, and the Provincetown Playhouse. His film work includes Empire Gypsy, The Squatter, Man at the Door, the documentary Target: St. Louis, and the forthcoming feature film Please Mrs. West.Don’t Touch Me With Your Right Hand was first performed in a reading by the West Indies Theatre Group, Berkeley, California in 2001. It awaits its first professional production.

Elevator Girl by Donna Hoke

Elevator Girl

Elevator Girl
Vanguard Arts Collective
Chicago, IL

Comedy-Drama/ 3 Characters, 1 Woman, 2 Men/ Full Length, 90 mins.

Synopsis: Superhero “Elevator Girl” was never meant to be more than an urban legend, a sexual revenge fantasy created by Vanessa and her graphic illustrator boyfriend. But when the character unleashes her boyfriend’s darkest fantasies, as well as a flesh-and-blood copycat, Vanessa must stop EG in her tracks — with the truth.

“Hoke mixes the allure of superhero mythology with the very real subject of rape culture. Metaphoric and evocative, this play delves into a world where villains are often where you least expect, and heroes are not always a single person.”

“Hoke’s Elevator Girl is a remarkable play because it can’t be dismissed. It will f-up your evening in a good way.”

“All aspects of this play work: the humor, the political issues raised, the graphic novel elements, along with the terrific characters. Topical and thought-provoking.”

– Testimonials on the New Play Exchange

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Most of Elevator Girl may be read by clicking on the “Read It Now” button above. To obtain a complete reading copy, contact the playwright at donna@donnahoke.com

Contact Information:
Amateur and professional rights:
Donna Hoke
71 Towhee Court
East Amherst, NY
USA 14051
Ph.: 973-919-2038
Playwright’s website: donnahoke.com
E-mail: donna@donnahoke.com
Representation: Samara Harris, Samara Harris Literary Agency, sharris@samaraharris.com
International: Tonda Marton, The Marton Agency, tonda@martonagency.com, 212-255-1908

About the Playwright: Donna’s work has been seen in 47 states and on five continents, including at Barrington Stage, Barrow Group, Celebration Theatre, Gulfshore Theatre, Queens Theatre, The Road, Writers Theatre New Jersey, Phoenix Theatre, Atlantic Stage, Purple Rose, Skylight, Pride Films and Plays, New Jersey Rep, Hens and Chickens (London), The Galway Fringe Festival, and Actors Repertory Theatre of Luxembourg. Plays include BRILLIANT WORKS OF ART (Kilroys List), ELEVATOR GIRL (O’Neill and Princess Grace finalist), SAFE (winner of the Todd McNerney, Naatak, and Great Gay Play and Musical Contests), and TEACH (Gulfshore New Works winner). She has been nominated for the Primus, Blackburn, and Laura Pels prizes, and is a three-time winner of the Emanuel Fried Award for Outstanding New Play (SEEDS, SONS & LOVERS, ONCE IN MY LIFETIME). She has also received an Individual Artist Award from the New York State Council on the Arts to develop HEARTS OF STONE, and, in its final three years, Artvoice named her Buffalo’s Best Writer—the only woman to ever receive the designation.

Donna also serves on the Dramatists Guild Council, is an ensemble playwright at Road Less Traveled Productions, blogger, moderator of the 12,000+-member Official Playwrights of Facebook, New York Times-published crossword puzzle constructor; children’s and trivia book author; and founder/co-curator of BUA Takes 10: GLBT Short Stories. Speaking engagements include Citywrights, Kenyon Playwrights Conference, the Dramatists Guild National Conference, Chicago Dramatists, the Austin Film Festival, and a live Dramatists Guild webinar. Her commentary has been seen on #2amt, howlround, The Dramatist, the Official Playwrights of Facebook, Workshopping the New Play (Applause, 2017), and at donnahoke.com.

Elevator Girl was first produced by Vanguard Arts Collective, Chicago, in a co-premiere with InProximity Theater, NYC, in Chicago, IL in Jan., 2019.

Elvis Did It by Ron Grant

Dark Comedy/ 8 characters, 4 Women, 4 Men/ Full Length, Two Acts

Synopsis:
Elvis Did It is the story of a dysfunctional family who cannot adapt to the changing times and sexual revolution of the 1960s. And so, of course, they blame all their troubles on Elvis Presley. The main characters are all devoutly religious except for the son, Apollo, who is a rebel and a maverick. A series of events cause disruptions in the family resulting in the loss of their church building, the daughter committing suicide after having been “knocked up” by a fellow minister, the wife going off the “deep end” as a result of the suicide, the old maid Aunt putting the “make” on her brother, and the son running off with the nymphomaniac next door neighbour. The patriarch’s life is saved only by a voice from heaven telling him that everything will be resolved if he will just stop buying Elvis Presley records.

 

 

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Contact information:
Amateur and professional rights:
Bloomin Desert Productions
2165 East Rochelle Avenue #17
Las Vegas, Nevada
USA 89119
e-mail: goldthroat2003@netzero.com
Ph: (702) 735-9568
(702) 349-0298

About the Playwright: Ron Grant is a writer, actor, producer, and musician living in Las Vegas. His other plays include Elvis Did It, which has been staged in Holland and the Dominican Republic, and The Cuckoo’s Nest Casino.

Elvis Did It has been staged in Holland and the Dominican Republic. It awaits its first professional production.

Errol Flynn’s Great Big Adventure Book for Boys by Rob George

Comedy with music/ Multiple characters, usually played by 4 Men, 3 Women and 1 musician/ Full Length, Two Acts

Synopsis:
A musical comic book look at the comic book life of Australian film legend Errol Flynn from childhood in Hobart through white slave trader in New Guinea and finally to tragic Hollywood has-been.

From the Festival Times (Edinburgh): “Taken almost entirely from official records and Flynn’s own writing, the play explores the love/hate relationship Flynn had with his own screen image, and the way that he was both encouraged and condemned in it. An excellent script from Rob George does this with humour, sadness, and rage.”

“Superbly entertaining.”
– The Scotsman (Glasgow)

“Fun — a musical anti-tribute to the down-under, deep-diving lover of almost-little girls.”
– The Guardian (London)

“Rapid costume and accent changes keep the show moving across three continents and 50 years for a thoroughly enjoyable 90 minutes.”
– Festival Times (Edinburgh)”

Fascinating . . . moves at a rip-roaring pace . . . if you know nothing about Flynn, or want to know more, then this show is a must.”
– The Evening News (Edinburgh)

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Contact information:
Amateur and professional rights:
Rob George
Prospect Productions Pty Ltd.
21 Emma St.
Marino, South Australia, 5049
Playwright’s e-mail: roomoo@ozemail.com.au
Website: www.prospectfilms.com
Ph.: 0882986989
Mob.: 0417804307

About the Playwright: Rob George has had very broad experience as writer, producer, director, script editor, and actor in film, television, theatre, and radio for over 25 years.

Rob is currently in post production on a 52-minute documentary Fearless about 92 year-old playwright Julia Britton. He is also writing a documentary for Film Australia and the ABC. A new play, Lovers and Haters, which he is writing with Maureen Sherlock, is in development.

In 2005, Rob was story editor, script editor, and writer on the ABC’s AFI Award-winning Drama MDA as well as story editing and writing a French animation series, “The Odd Family,” for Timoon Animation and TF1.

Rob’s other credits include writer and producer of the family feature Selkie and he was the originating writer for the 1999 feature film, Passion, adapted from his play Percy and Rose. Passion starred Richard Roxbugh, Barbara Hershey, Claudia Karvan, and Emily Woof.

Rob’s early credits include the International Emmy Award winning family telemovie Captain Johnno which he wrote, the childrens’s TV series “Pals,” and the telemovies You And Me And Uncle Bob and Chase Through The Night which starred a young Nicole Kidman. Rob was also Head Writer on the ABC comedy series “News Free Zone.”

Rob wrote and produced the family mini-series “The River Kings,” directed by Donald Crombie. “The River Kings” has sold to most international territories and has been screened several times on the ABC and the BBC.

Rob’s theatre work includes a dozen stage plays, among them Errol Flynn’s Great Big Adventure Book for Boys, which won a Best Play Award at the Edinburgh Fringe, and the nationally acclaimed Percy and Rose about the composer Percy Grainger. Other plays include The Humble Doctor, Let’s Twist Again, Les, and Sandy Lee Live at Nui Dat. Rob’s most recent stage play, a monologue, The White Board, was produced at the Bakehouse Theatre in Adelaide in 2000.

Errol Flynn’s Great Big Adventure Book for Boys was first performed by The Stage Company, Adelaide, South Australia in 1978.

 

Excavations by Eugene Stickland

Comedy-Drama/ 4 Characters, 3 Men, 1 Woman, 1 Pianist/ Full Length, Two Acts

Synopsis: Imagine if David Lynch or Franz Kafka travelled deep into the coulees of Saskatchewan and gave us their warped insight into modern day palaeontology. A palaeontologist, a landowner, a defrocked minister, and his sister are linked through the discovery and subsequent excavation of a T-Rex dinosaur.

This new play by Eugene Stickland (A Guide to Mourning and Midlife) is a bold prairie gothic exploring the virtues of science vs. religion, procreation vs. extinction, and our search for meaningful relationships.

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Contact information: Amateur and professional rights:
Eugene Stickland
Calgary, AB
Canada
T2T 0M8
Ph.: (403) 244-8941
E-mail: eugenius@telusplanet.net
Website: http://eugenestickland.com/

About the Playwright: Eugene Stickland began writing plays following the completion of his M.F.A. at York University in 1984. Ten years later, at Alberta Theatre Projects playRites ’94, his play Some Assembly Required received its premiere production. Since then, the play has had 15 productions around Canada and the US. It was a finalist for the Governor General’s Award for Drama in 1995. During his tenure as Playwright-in-Residence at ATP, Eugene went on to write Sitting on Paradise (1996), A Guide to Mourning (1998), Appetite (2000) and Midlife (2002).

Excavations was first produced by Theatre Network at The Roxy Theatre in Edmonton, Alberta, opening October 2, 2002.