Jack and the Beanstalk — Libretto by Marcy Telles, Music by Jason Sherbundy

Children’s Musical/ 4 Characters, 2 Men, 2 Women/ One Act

Synopsis: A musical version of the classic tale about a boy who must travel to the fair to sell his beloved cow. After a run-in with some buyers who think his cow is too scrawny, Jack meets an Old Woman who buys the cow for three beans. The beans, she promises, will allow him to ascend to the sky, where he’ll find a giant’s castle full of riches stolen from his late father.

When Jack angrily throws the beans aside, they grow into a giant beanstalk, which he climbs. At the top, he meets the Giant’s Sister, who hides him just in time: The Giant comes home and demands that his treasure — a goose, a purse filled with gold, and a singing Harp — be brought to him. Listening to the Harp, he falls asleep, and Jack and the Giant’s Sister escape down the beanstalk.

Home again, Jack is overjoyed to discover that his cow has been returned to him and, even better, they all learn a wonderful secret about the Giant’s Sister!


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Performance rights must be secured before production
Contact information: Amateur and professional rights: Alan Rossett Amateur and Professional Rights:
Marcy Telles
754 Bamboo Terrace
San Rafael, CA 94903
Ph. 415-472-7639
About the PlaywrightComposer and lyricist Marcy Telles has created scores for the musicals The Toymaker and the Elves (Das Puppenspeil, 1974) and The Three Golden Hairs(Morning Glory Theater, 1981). She has provided lyrics and librettos for two children’s operas Jack and the Beanstalk and Brementown Musicians (Cinnabar Theater, 1990 and 1997), and several children’s musicals: The Snow Queen, It’s a Wonderful Life (Cinnabar Theater, 1992 and 2001), Remote Control, Plants, and Princess Goodenough (1998, 2001, and 2002, various). In addition to her theatrical work, Marcy has provided compositions and lyrics for the Occidental Community Choir, Viva! Musica (a Japanese musical circus), and recording artists and groups such as A Few Good Friends, Biaja, Blake Derby, Michael Smolens, Randal Collen, and others. Marcy makes her home in Northern California and is always interested in new projects.Jack and the Beanstalk was first produced by the Cinnabar Opera Theatre, Petaluma, California.


Johnny and Sally Ann: The true-life tall tales of Johnny Appleseed and Sally Ann Thunder Ann Whirlwind by Tom Smith

Comedy/ 5 males, 1-5 females, 2-28 either (3-35 performers possible)/ One Act

Synopsis: Traveling the American wilderness to distribute apple seeds to the poor, Johnny Appleseed and his friend Pete encounter Sally Ann Thunder Ann Whirlwind (the future wife of Davey Crockett), who proves that a girl can do anything a boy can; Betsy Ross, who tells them about the creation of the American flag; and Belinda, who seeks the help of Johnny and Pete to save an orphanage. Throughout, Johnny shares many of the adventures that have made him famous: both true stories and tall tales.

A portion of Johnny and Sally Ann may be read by clicking on the “Read It Now” button above. To obtain a complete reading copy, please see the Contact Information on this page.

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Performance rights must be secured before production
Contact information:Amateur and professional rights:
7119 W Sunset Blvd #390
Los Angeles, CA
USA 90046
E-mail: info@youthplays.com
Website: www.youthplays.com

About the Playwright: Tom Smith’s published plays include The Wild and Wacky Rhyming Stories of Miss Henrietta Humpledowning, ESL, What Comes Around, A Christmas Caroland Johnny and Sally Ann… (YouthPLAYS), Marguerita’s Secret Diary (Baker’s Plays);Gray (Original Works Online); and The Pathmaker, Comedy of Errors (editor), Much Ado About Nothing (editor), Two Gentlemen of Verona (editor), and Love’s Labour’s Lost (editor) for Encore Performance Publishing as well as Dangerous, The Odyssey and Drinking Habits, published by Playscripts. His other plays have received productions both nationally and internationally. Tom is the recipient of the Robert J. Pickering Award for Excellence in Playwriting, the ATHE Playworks Award, the Orlin R. Corey Outstanding Regional Playwright Award, the Richard Odlin Award, a Seattle Footlights Award, and has been a selected participant in numerous playwriting festivals across the country. He is a proud member of the Dramatists Guild. Feel free to check out his website at www.tomsmithplaywright.com.Johnny and Sally Ann… was first professionally produced by Creede Repertory Theatre (Creede, CO) and California’s Enrichment Works.

Kipling’s Jungle Book Stories, an adaptation by John Chambers with verse by Rudyard Kipling

The Jungle Book by Rudyard Kipling

Drama/ 16 Characters, 7 Men, 2 Women, 7 either/or/ Full Length, Two Acts

Synopsis: This epic version of Kipling’s classic was first performed professionally as an outdoor promenade production by Lancaster Dukes Theatre. Torn between his wolf family and his human mother, and between the law of jungle and “civilization,” Mowgli faces threats on all sides — crazy monkeys, an idiotic hunter, and a malevolent tiger.

Sticking closely to the ethos of the original, John Chambers’ lively adaptation offers plenty of humour and drama, not to mention some original Kipling lyrics. At its heart is a boy growing up and trying to discover who he really is . . .

A summary of the original novel, from penguinreads.com (PDF): “A very young boy, called Mowgli, lives in the jungle. Shere Khan, the tiger, wants to look after him, and so do the wolves. Akela, the wolf leader, decides that Mowgli will stay with the wolves. Baloo the bear and Bagheera the panther also look after him. Mowgli stays in the jungle for ten years. When Akela becomes old, Shere Khan thinks he might now get Mowgli with the help of the young wolves who don’t like him. Mowgli defends himself by throwing fire at his enemies, but he must leave the jungle. He says goodbye sadly to his friends and family and goes to live in the village.”

“Not to be missed.”
– Westmoreland Gazette

“A must for youngsters, the show is great fun for mums and dads too.”
– Sunday Express

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Performance rights must be secured before production
Contact information:

Amateur and Professional Rights:
John Chambers
E-mail: artistan38@tiscali.co.uk

About the Playwright: John’s stage plays include: Stiff Stuff; Shouting at the Radio; Raw Material; Albert Finney Doesn’t Live Here Any More; Robin Hood – The Raven’s Revenge – all at the Library Theatre Company where he was Arts Council Resident Dramatist; Two Wheel Tricycle (Contact Theatre); Silver Lining (Oldham Coliseum); Yoiks Oiks (Bolton Octagon); The Marigold Trilogy (Real Life Theatre. M.E.N. Best Fringe Award); Balling the Blues (One Step); City of Gold (Arden).

John has written three epics for Lancaster Dukes Promenade Seasons – Tales of King Arthur,Jungle Book and The Three Musketeers, and several pieces for/with young people at Manchester Youth Theatre and M6 where he was also Resident Writer.

Co-written theatre work includes: Scandals – The Life & Liver of Frank Randle with Keith Clifford (which John also directed); Crazy People with Marvin Close (LTC); I’m Marrying Ryan Giggs (Robbie Fowler in Liverpool!) with Dave Simpson (Liverpool Playhouse & national tour); Koff with Brian Morgan (One Step).

He has written around 100 hours of television including: The Bill (Thames); Emmerdale(Granada-YTV). Working on it during BAFTA Best Soap year 2001); Eastenders; Runaway Bay (YTV / Lifetime); 14 episodes of Children’s Ward (Granada. Including RTS Best Children’s Drama Series); 3 fifteen minute films for BBC Education’s Turning Points, (which won BAFTA and RTS awards, 1999); Away From Home and Grease Lightning – 30 minute plays for BBC2 (Northwest); Dramarama (ITV).

Kipling’s Jungle Book Stories was first produced at the Lancaster Dukes Promenade Seasons in 1996.

“Winning hearts in a new way.”
– The Stage

“It’s a great play.”
– Lancashire Evening Post

Lockdown by Julia Edwards

Lockdown at South Coast Repertory, 2012

Comedy-Drama/ 4-6 males, 9-11 females (15 performers total)/ Full Length, 75-90 minutes

It’s just another day in the CliffsNotes Library (more books, less filling!) until a siren sounds, the doors automatically lock, and the not-so-studious students discover they are trapped. What’s going on? Did the high-tech security system malfunction again? Or are they the subjects of a sinister state-sanctioned experiment? Then someone hears a gunshot (he thinks), a freaked out substitute teacher is found barricaded in the bathroom, and Crazy Lily has a diabetic seizure. In a claustrophobic pressure-cooker of fear, paranoia, and social strife, this motley crew of hackers, delinquents, surfer dudes, and prom queens must rise above the chaos to save a life and discover the meaning of tolerance along the way.

A portion of Lockdown may be read by clicking on the “Read It Now” button above. To obtain a complete reading copy, please see the Contact Information on this page.

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Performance rights must be secured before production
Contact information:
Amateur and professional rights:
7119 W Sunset Blvd #390
Los Angeles, CA
USA 90046
E-mail: info@youthplays.com
Website: www.youthplays.com

About the Playwright: Julia Edwards is an LA-based playwright, children’s author and illustrator, and teacher. Her plays — some of which include Family Planning, The Rats Are Getting Bigger, The Ravaging, and Lockdown — have been seen at The Public Theatre (NYC), the LAByrinth Theatre (NYC), The Flea (NYC), South Coast Repertory Theatre (Costa Mesa), Chalk Repertory Company (LA), Circle X (LA), and Salvage Vanguard Theatre (Austin) among others. Family Planning, produced in LA-area residential homes, won the LA Ovation Award for Best Production. She is a member of the Playwrights Union of LA. Her website is at www.JuliaEdwards.com.

Lockdown was commissioned and first produced by South Coast Repertory (Costa Mesa, CA) in March, 2012.

Ludlow Ladd — Libretto by Michael Colby, Music by Gerald Jay Markoe

Ludlow Ladd

Christmas Musical/ 8 Characters, 4 Men, 4 Women/ One Act

Synopsis: Part Dickens, part Gilbert and Sullivan, part Fractured Fairy Tale, this family operetta evolves through mock-Christmas carols. It centers on Ludlow Ladd, a poor young orphan in Victorian Liverpool. It’s Christmas night and his birthday, as Ludlow wanders the streets, searching for a home. The eccentric Grimbles take him to their house, already crammed with animals, plants, and Prudence, their bratty daughter. After annoying the Grimbles, Ludlow is left alone with their Christmas tree. He dreams of the tree turning into the magical Misssus Pinecones, who whisks him to the Land of Yuletime Cheer. The dream becomes a nightmare. But, once he wakes, a miracle leads Ludlow to become the Grimble’s son.

The first half of Ludlow Ladd may be read by clicking on the “Read It Now” button. For a complete reading copy, please see the Contact Information elsewhere on this page.

“Musical of the week. A jolly romp.”
Show Business

“A fascinating prize. Plays off all the gooey sentiment that has been built up around the modern Christmas in story and song. Energetic, charming fun.”
The Rockford Register

“Really wonderful.”
– Bill Thompson, Literary Manager, Actors Theatre of Louisville

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Performance rights must be secured before production
Contact information:
Amateur and professional rights:
330 West 42nd Street, 18th Floor
New York, NY 10036
(212) 757-6466
E-mail: info@miracleor2.com
Playwright’s website:

About the playwright: Michael Colby is the librettist/lyricist of such musicals as Charlotte Sweet (Drama Desk Award nomination), Tales of Tinseltown (Coconut Grove Playhouse), North Atlantic (Show Business Award), Mrs. McThing (Goodspeed), and Ludlow Ladd (New American Theatre). He was chief writer for the Drama Desk Award-winning New Amsterdam Theatre Company, and has written special material for numerous celebrities and Theatre by the Blind. He is a member of the BMI and The Dramatists Guild.

About the composer: Gerald Jay Markoe studied at the Manhattan School of Music and the Juilliard School, receiving Master and Bachelor of Music Degrees. His musicals include Charlotte Sweet (Drama Desk nomination), Delphi or Bust, Happy Haunting, and Ludlow Ladd. In addition to his theatre scores, he is the widely acclaimed composer of numerous CD’s which have topped the New Age best-seller charts. These include Music From the Pleiades, Music of the Angels, Zen Meditations and Celestial Mozart Volumes I and II.

Ludlow Ladd was first produced by New American Theatre, Rockford, Illinois in December, 1982.

Moonbound! — Book and Lyrics by Frank Moher, Music by Antonio Gradanti and Frank Moher


Musical/ Multiple Characters, doubling and tripling possible/ Full Length, Two Acts

An out-of-this-world new musical, loosely based on a novel by H.G. Wells. Dr. Cavor, an eccentric Victorian scientist, has invented anti-gravity paint (“Cavorite!”). He intends to use it to travel the universe, but when the sphere he’s built for the purpose unexpectedly malfunctions, he and Miss Dawson, a hard-nosed London businesswoman, must set off prematurely, with Cavor’s untrustworthy assistant Gibbs on-board. Destination: Moon.

There they discover a race of insect-like beings, including Wizlip, a young moon girl, and her grandmother, Shrinklie. Gibbs flees at the first sight of the aliens, but Wizlip and Cavor are excited to make each other’s acquaintance. Cavor and Dawson are jailed, only to be sprung by their new-found moon friends. Pursued by soldiers, the four arrive at the lip of a gigantic cavern leading to the centre of the moon. Dawson wants to turn back, but Cavor convinces her that in the spirit of exploration they must “Carry On.” They jump.

Down There, they discover an even more extraordinary civilization of beings raised from birth to perform just one function, and ruled by The Grand Lunar, who was Shrinklie’s first love. He is, however, a reluctant boss (“I Used to be Me”). Gibbs returns, having discovered that the moon is littered with gold, and proposes a plan to try to get back to Earth and return with an invading army, which Miss Dawson gleefully accepts. She and Gibbs depart, and Cavor realizes how much Dawson has come to mean to him.

When The Grand Lunar learns that the Earth is rife with conflict and that Cavor’s invention might allow more Earthlings to travel to the moon, were the Doctor ever allowed to get home, he orders the visitors’ “evacuation” — essentially, their death. All looks lost, although Cavor insists that he would do it all again (“Somewhere on the Moon”). However, an alarming incident back on the surface convinces Miss Dawson to return to Cavor and the others. But will she get there in time? And can Shrinklie convince The Grand Lunar to spare Cavor’s life?

A combination adventure story, love story, and comic look at imperial folly, Moonbound! brings the fun of both sci-fi and musicals to the stage.

Original production credits

Listen to music from Moonbound! below. The complete original cast recording, as well backing tracks for use in productions, are available from Single Lane Entertainment (see contact info on this page).

“The Earth!” (Antonio Gradanti and Company). Includes dance break.

“Somewhere on the Moon” (Antonio Gradanti)

“Enough” (Cody Scott, Kathy McIntyre)

Read it Now
Performance rights must be secured before production
Contact information:
Amateur and professional rights:
Single Lane Entertainment,
650 Little Blvd.,
Gabriola Island, B.C.,
V0R 1X3.
Ph.: (in North America) 1-855-757-9216 or 250-247-9216
Email: info@singlelane.com
Playwright’s website: FrankMoher.com


About the Playwright:

About the Playwright: Frank Moher’s plays have been produced internationally, at theatres including South Coast Repertory (Costa Mesa, Calif.), Detroit Repertory Theatre, Round House Theatre (Silver Spring, Maryland), the Canadian Stage Company (Toronto), the Wellington Repertory Theatre (Wellington, New Zealand), Workshop West Theatre (Edmonton, Alta.), the Asolo Theater (Sarasota, Fla.), Alberta Theatre Projects (Calgary), Dodona Theatre (Prishtina, Kosova), The Mingei Theatre (Tokyo), and OmaDa Theatre (Athens, Greece). He has won a Los Angeles Drama-Logue Award for Writing (for Odd Jobs), the Edmonton Sterling Award for Outstanding New Play (for both The Third Ascent and Prairie Report,), and is published by both ProPlay and the Playwrights Guild of Canada. Frank has taught at the University of British Columbia and the University of Alberta (where he was a Distinguished Visiting Artist), and is currently an instructor in scriptwriting and journalism at Vancouver Island University. He has also worked professionally as a literary manager and dramaturg, and written for publications including The Globe and Mail, The National Post, Saturday Night magazine, The Georgia Straight, backofthebook.ca and salon.com.

Moonbound! was first presented by Over the Moon Theatricals on Gabriola Island and Vancouver Island, BC, Canada in April-May, 2014.

Also by Frank Moher on ProPlay:

Nail Broth by Mark Scrivener (based on a folk tale)

Comedy/ 2 Characters, 1 Man, 1 Woman/ One Act

Synopsis: Nettie Skeen says she has no food in the place. Not a problem for the cunning tramp as he can make a good broth from a nail. All he needs to make it really good are a few extra ingredients . . .

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Performance rights must be secured before production
Contact information:
Amateur and professional rights:
Mark Scrivener
63 Mountain Top Rd.
Georgica NSW 2480
Email: narrowroads@hotmail.com
Ph.: 612 66 888  113

About the Playwright: Mark Scrivener studied for three years at the Harkness Speech and Drama School, where his first play was produced when he was 20. Since then, his work has been seen at theatres including The Colonnade Theatre Company, Prometheus Productions, The Player’s Theatre Company, and The Rainbow Youth Theatre, among others. His verse play Narrow Roads to Inner Lands was broadcast on Oneword Radio in the UK, and he has had over 80 poems and other pieces published in Australian newspapers and magazines, including The Australian, The Sydney Morning Herald, Quadrant Magazine, The Bulletin, Poetry Australia, and The School Magazine.His poems have also been published in anthologies from Thomas Nelson and Co. and The Paterson Literary Review, while his verse translations have appeared in Poetry Australia, Quadrant, Meanjin, and The Australian. A Master of Letters graduate (with high distinction) from the University of New England in Armidale, Australia, Mark has also toured for over 25 years as a performance poet.

Nail Broth was first produced by The Colonnade Theatre Company in Sydney, Australia in July, 1974.

Nobody’s Listening by Ed Shockley

Comedy-Drama/ Multiple characters, 3 male, 3 female, plus flexible extras / One Act, 50-60 minutes/

Synopsis: A film sets up to broadcast a live performance of a new pilot show, The Adventures of Mech-Boy. As the audience files in, there is panic onstage because the actor playing the Robot star of the anti-violence show has gotten caught in his trailer. The frantic director recruits a kid from the audience to replace the star seconds before the broadcast begins, but the impromptu actor becomes increasingly uncooperative and comically inventive as he struggles to make the hokey show reflect the real challenges that youth face in the difficult environment of a public school.

A portion of Nobody’s Listening may be read by clicking on the “Read It Now” button above. To obtain a complete reading copy, please see the Contact Information on this page.

Published by arrangement with YouthPLAYS

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Performance rights must be secured before production
Contact information: Amateur and professional rights:
7119 W Sunset Blvd #390
Los Angeles, CA
USA 90046
E-mail: mailto:info@youthplays.com
Website: www.youthplays.com

About the Playwright: Ed Shockley, MFA is author of more than eighty plays. His works have set five box office records and been honored with numerous awards, including the Stephen Sondheim Award for Outstanding Contributions to American Musical Theatre, a Pew Fellowship in the Arts and PA State Arts Council Playwrights Fellowship. He has received commissions for youth theatre plays from Seattle Children’s Theatre, Children’s Theatre of Charlotte, Dallas Children’s Theatre, Black Spectrum Theatre and the Harlem Renaissance Theatre. His historical short film, Stone Mansion, aired on Showtime television.

Nobody’s Listening was commissioned and first produced by Charlotte Children’s Theatre, Charlotte, NC.


Papa Panov’s Magic Christmas by Paul Thain (based on a story by Leo Tolstoy)

Children’s play/ Multiple Characters, large mixed cast/ One Act, 25 minutes

A portion of Papa Panov’s Magic Christmas may be read by clicking on the “Read It Now” button above. To buy the complete text in its Samuel French print version, click here.

Synopsis: Children enter in procession carrying lighted candles as the Storyteller sets the scene and takes us back to a snowy Russian village for this magical Christmas story . . .

Papa Panov, an old shoemaker almost too blind to thread a needle, has a dream that Jesus will visit him on Christmas Day. All day he waits, but his only visitors are a tramp, a roadsweeper and a pauper woman and her cold and hungry baby. Despite his disappointment and fading hope, Papa Panov gives away his coat, his money, and his soup.

Night falls and Papa Panov thinks himself a silly old fool. But then he has another dream which convinces him his special visitor did come after all.

Papa Panov’s Magic Christmas is adapted from a short story by Tolstoy, who first heard it as a French folk-tale.

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Performance rights must be secured before production
Contact information:
Amateur rights:
Samuel French UK, Ltd.
Professional rights:
Casarotto-Ramsay Ltd.
National House
60-66 Wardour Street
London W1V 3HP
Tel : +44 20 7287-4450
Fax : +44 20 7287-9128
Playwright’s website: www.stageplays.com/today.htm

About the Playwright: Paul Thain was born in South Shields, UK. Inspired by his acting experience with the National Youth Theatre, he gave up life as a bus conductor, studied A-levels, and then read Drama & Theatre Arts at Birmingham University. When his first child was born he left teaching to become primary parent and playwright. His second radio play, The Biggest Sandcastle in the World, won a BBC Giles Cooper Award as one of the Best Radio Plays of 1981, and he has subsequently written many more including The Paradise Machine, for which the BBC’s production won the 1995 European Broadcasting Union Award for Best European Radio Drama.

Other work includes four commissioned screenplays, as yet unproduced, and five stage plays. His plays have been published and performed throughout the world, particularly the UK, Germany, Italy, Russia, New Zealand, and South Africa.

Papa Panov’s Magic Christmas has received over 100 productions worldwide.

Robin Hood and the Raven’s Revenge by John Chambers

Comedy/ 9 characters, 5 Men, 4 Women (double/extra casting if desired)/ Full Length, Two Acts

Synopsis: Written for a family audience, with plenty of humour and some added twists to the traditional story. It intertwines the favourite elements of the Robin Hood legend with less known myths, such as the witch Mother Maudlin and an evil Raven and equates Robin with the English folk-lore figure, The Green Man.

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Performance rights must be secured before production
Contact information:
Amateur and professional rights:
John Chambers
Email: artistan38@tiscali.co.uk

About the Playwright: John has had some 40 plays premiered in his native North West of England — ranging from a Number One tour to fringe. He has written for most Reps in the region and was Arts Council Resident Dramatist at Manchester LTC and Resident Writer at M6 Theatre. His plays have subsequently been performed around the UK and as far afield as Australia and the US. He’s also written over a hundred hours of TV drama, as well as plays for radio.

Little Ms. Loony was first produced by the Real Life Theatre Co., Manchester, in Oct. 2009.